A Sequencer (Yellow on Grey), 2013
HD-Video, eingelegter Bildschirm + Konstruktion, Ton, 3:52 min., Mobile, Edition 2/3 + 1 AP
HD video, inlaid screen and construction, sound, 3:52 min., mobile, edition of 2/3 + 1 AP

Installaton View
with second element (Mobile / Percussion Score) “

A Sequencer (Yellow on Grey) is a filmed situation: a set of cream and sand coloured plinths of different shapes and dimensions serves as a landscape for scallops, alive and occasionally clacking their shells.

Sometimes they do this when the camera is not looking; sometimes when the viewer is not looking. They slowly punctuate an otherwise silent film which calmly pans across this artificial landscape, in anticipation of action. Sometimes a shell falls, sometimes it seems nothing happens. Pointedly, a sequencer is a musical instrument – a machine which allows to define a sequence of parts, to form a rhythm, a song or even a whole musical work. Something which sequences events, in time. This artwork, then, is a very stretched, absurdly slow and extended version of a percussion composition, a rhythm.

There is a steel mobile in the room, which is designed from this very rhythm; each vertical line of this object is encoded from the soundtrack of the film – every line is a ‘clack’ and its sonic intensity defines the length of the line. The distance between the vertical rods is defined by the durations of silence between them.

Silence Breakers, Silence Shapers (Abbreviations On Percussion)

Silence Breakers, Silence Shapers (Abbreviations On Percussion)

Silence Breakers, Silence Shapers (Abbreviations On Percussion)

Silence Breakers, Silence Shapers (Abbreviations On Percussion)

Silence Breakers, Silence Shapers (Abbreviations On Percussion)

Silence Breakers, Silence Shapers (Abbreviations On Percussion)

Silence Breakers, Silence Shapers (Abbreviations On Percussion)